The strange and spooky battle over bats and black dresses
The commodification of Whitby Goth Weekend and the loss of a subculture
Bibliographic Data
| ID | 12697690 |
|---|---|
| Authors | Karl Spracklen (0000-0002-6390-9022, Leeds Beckett University, corresponding author), Beverley Spracklen (independent scholar) |
| Year | 2013 |
| Volume | 14 |
| Issue | 1 |
| Pages | 86-102 |
| Publication date | 2013-12-15 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Tourist Studies (JOURNAL) |
| Journal identifiers | ISSN: 1468-7976 • E-ISSN: 1741-3206 |
| Publisher | SAGE Publishing (PUBLISHER • US) |
| DOI | 10.1177/1468797613511688 |
| OpenAlex | W2147634885 |
| Language | EN |
| Citations received | 22 |
| References cited | 34 |
From counterculture to subculture to the ubiquity of every black-clad wannabe vampire hanging around the centre of Western cities, Goth has transcended a musical style to become a part of everyday leisure and popular culture. The music’s cultural terrain has been extensively mapped in the first decade of this century. In this article, we examine the phenomenon of the Whitby Goth Weekend, a modern Goth music festival, which has contributed to (and has been altered by) the heritage-tourism marketing of Whitby as the holiday resort of Dracula (the place where Bram Stoker imagined the Vampire Count arriving one dark and stormy night). We examine marketing literature and websites that sell Whitby as a spooky town, and suggest that this strategy has driven the success of the Goth festival. We explore the development of the festival and the politics of its ownership, and its increasing visibility as a mainstream tourist destination for those who want to dress up for the weekend. By interviewing Goths from the north of England, we suggest that the mainstreaming of the festival has led to it becoming less attractive to those more established, older Goths who see the subculture’s authenticity as being rooted in the post-punk era, and who believe that Goth subculture should be something one lives full-time
Art · Art history · Commodification · Counterculture · Dracula · Entertainment · Literature · Lyrics · Mainstream · Media studies · Punk · Sociology · Subculture (biology · Vampire · Visual arts · Gender, Feminism, and Media · Gothic Literature and Media Analysis · History · Law · Media, Gender, and Advertising
Eventos subculturais e a cidade
Music, Beer and Performativity in New Local Leisure Spaces
Sense of Ritual in Costumed Tourism
Goth(ic) cabaret
Sports Fans and Fan Culture
Systematic Review of Trends in Dark Tourism Research
Fang experiences in Whitby’s Goth/ic theatre
Becoming and being goth
‘We’re not all into death and doom … it’s more an appreciation of the macabre.’ Exploring brand success at dark tourism festivals
Have you found what you’re looking for? Analysing tourist experiences of Wagner’s Bayreuth, Abba’s Stockholm and U2’s Dublin
Social media, popular culture and ‘soft heritage’
Beyond the Grim”
Beyond Subculture the Meaning of Style
Sex, drugs, Satan and rock and roll
There is (almost) no alternative
Exploring Subcultural Trajectories
Progress in dark tourism and thanatourism research
Exploring the pathways of host-guest interaction in the context of costumed tourism from an actor-network perspective
Unpacking Pride’s commodification through the encounter
Reading Spracklen on Goth and Dark Leisure
A Blaze in the Northern Sky”. Leisure, Popular Culture and ‘Northernness’
Karl Spracklen, a Gardener of Ideas
Popular music and youth culture
The ritual process
Rock culture in Liverpool
The Symbolic Construction of Community
The Presentation of Self in Everyday Life
Touring Cultures
The structural transformation of the public sphere
The Meaning and Purpose of Leisure
The Symbolic Construction of Community
Places, spaces, holes for knowing and writing the earth
Pagans and Satan and Goths, oh my
Tourist encounters
Dreaming of drams
Economic Change and the Labour Market in Britain’s Seaside Towns
Embodying the Map
Grim Up North
The structural transformation of the public sphere
The tourist
Performing tourism, staging tourism
Prospects in tourism history
Rethinking authenticity in tourism experience
Restructuring seaside tourism
The Ritual Process
Discourse Tracing as Qualitative Practice
Staged Authenticity
Performing identity
| Unique citing works | 22 |
|---|---|
| Citations per year | 1,83 |
| Citation span | 2014 - 2026 (13) |
| Citation velocity | current |
| Highly cited | No |
| Citation types | Neutral: 21 |