Branded Spaces
The scope of ‘new marketing’
Bibliographic Data
| ID | 12698201 |
|---|---|
| Authors | Elizabeth Moor (Goldsmiths College, University of London,, corresponding author) |
| Year | 2003 |
| Volume | 3 |
| Issue | 1 |
| Pages | 39-60 |
| Publication date | 2003-03-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Journal of Consumer Culture (JOURNAL) |
| Journal identifiers | ISSN: 1469-5405 • E-ISSN: 1741-2900 |
| Publisher | SAGE Publishing (PUBLISHER • US) |
| DOI | 10.1177/1469540503003001929 |
| OpenAlex | W2097562522 |
| Language | EN |
| Citations received | 43 |
| References cited | 19 |
This article comprises a series of critical reflections on some current directions in marketing, with reference to empirical material from a case study of the promotion of a series of live music events. In particular, it highlights a key theme in contemporary marketing: the attempt to approach consumers in an expanded range of everyday spaces. This, in turn, is related to a heightened emphasis on branding, which derives from a complex of factors including a perceived fragmentation and diversification of media audiences and new ideas about the best ways of structuring and stabilizing markets. Within this scenario, the case study is presented as an example of ‘experiential marketing’: one of a range of possible strategic choices in the attempt to insinuate marketing practices more deeply into the lives of consumers. In addition, the case study shows how these spatial practices may be connected to electronic marketing technologies, such as databases, consumer websites and‘viral marketing’campaigns, in an attempt to extend the scope of emotional or affective bonds forged between consumers and brands. The article concludes by arguing that whilst such strategies may not always succeed in their stated aims, their emergence should nonetheless be taken seriously as an important development in the mediation of production and consumption
Advertising · Business · Consumption (sociology · Diversification (marketing strategy · Mediation · Political science · Politics · Promotion (chess · Public relations · Social science · Sociology · Structuring · Consumer Behavior in Brand Consumption and Identification · Digital Marketing and Social Media · Marketing and Advertising Strategies · Marketing
Things to do with brands
Digital work
Formatos y sectores en el branded content musical
Control, curation and musical experience in streaming music services
Cultivating Online and Offline Pathways to Enlightenment
Abstract socialities
Hizbullah-land? Branding religio-politico identity in Dahiya
Dynamic branding
Meat, Mask, Burden`
Algorithmic brands
Brands and Urban Life
Snapchat’s augmented reality brand culture
Promotional Ubiquitous Musics
Biopolitical Marketing and Social Media Brand Communities
China's 'Fake' Apple Store
An exploration of alcohol advertising on social networking sites
We're in this together’
Popular geopolitics ‘beyond the screen’
The Department Store in Early Twentieth-century Japan
Brands and Instagram
Geographies of dissociation
Critical perspectives on brand culture in the era of participatory and algorithmic media
Watching Nightlife
Cows on Facebook and Instagram
Manufacturing Customers
Reimagining the terrain of liquid times
Brands
Territorialising brand experience and consumption
Putting Consumers to Work
Glastonbury
Indie interdependence
(Re)Branding the Big Easy
Order in Garment Markets
Mobility and Market Research
This is Our City
Terminal experimentation
You are your only limit
Brands and Their Surfeits
Forever a fan
Cultural intermediaries in the making of branded music events
Reassembling the Cultural
Brand value
Arrested emotions in reality television
| Unique citing works | 43 |
|---|---|
| Citations per year | 2,05 |
| Citation span | 2005 - 2026 (22) |
| Citation velocity | current |
| Highly cited | No |
| Citation types | Neutral: 42 |