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Art in the digital dimension

Trivialization of the effects of creative work and the identity conflict of artists

Bibliographic Data

ID12698355
AuthorsJordan Klimek (0000-0002-9824-143X, University of Szczecin, corresponding author)
Year2025
Volume26
Issue1
Pages22-39
Publication date2025-11-27
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueJournal of Consumer Culture (JOURNAL)
Journal identifiersISSN: 1469-5405 • E-ISSN: 1741-2900
PublisherSAGE Publishing (PUBLISHER • US)
DOI10.1177/14695405251405991
OpenAlexW4416756897
LanguageEN
References cited7

Digitization of art influences creative processes and reception of works, shaping the identity of artists. Modern technologies facilitate the wide distribution of art, but at the same time force the adaptation of its form to the demands of the market. The study conducted 37 in-depth interviews with artists, analyzing the conflict of identity resulting from the need to balance one’s own vision and the expectations of the audience. The results indicate that digital promotion of art leads to its shallowing and commercialization, forcing artists to redefine their identity. Conscious use of technology and reaching competent audiences is proving crucial. Strategies for reducing conflict, such as seeking new forms of symbolic communication and redefining creative goals, were identified. The conclusions emphasize that art should not only aestheticize reality, but also encourage critical reflection and conscious participation in culture

Adaptation (eye · Contemporary art · Creative work · Digital art · Identity (music · Promotion (chess · Symbolic communication · The Symbolic · Work (physics · Aesthetic Perception and Analysis · Art Education and Development · Cultural Industries and Urban Development

  • Doing Interviews

    Steinar Kvale•Doing Interviews•2007

  • The platformization of cultural production

    Open Access•D B Nieborg, Thomas Poell•New Media & Society•2018

  • Lifestyle and mental health

    Roger Walsh•American Psychologist•2011

  • Classification in Art

    P Dimaggio•American Sociological Review•1987

  • Snowball Sampling

    Open Access•Patrick Biernacki, Dan Waldorf•Sociological Methods & Research•1981

Citation velocityhistorical
Highly citedNo

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