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Capturing Brazilian society in movement

From cordiality to circulation and “spaces between” in Maria Augusta Ramos’s Futuro junho (2015)

Bibliographic Data

ID12699112
AuthorsTori Holmes (0000-0003-1805-8043, Modern Languages, Queen’s University Belfast, corresponding author)
Year2018
Volume24
Issue3
Pages367-389
Publication date2018-09-02
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueJournal of Iberian & Latin American Studies (JOURNAL)
Journal identifiersISSN: 1469-9524 • E-ISSN: 1470-1847
PublisherTaylor & Francis (PUBLISHER • GB)
DOI10.1080/14701847.2018.1531220
OpenAlexW2890609130
LanguageEN
References cited38

This article analyses Maria Augusta Ramos’s 2015 observational documentary Futuro junho (Future June), filmed in the Brazilian city of São Paulo in the lead-up to the 2014 FIFA World Cup. Taking as its starting point a connection, established by one of the film’s four main “characters,” or subjects, between Brazilian historian Sérgio Buarque de Holanda’s influential work on cordiality and the idea of circulation between public and private spheres, the article explores how circulation (economic, urban, media, and cultural) is portrayed in the documentary, as well as how it foregrounds both spatial and temporal movements. This is complemented by a discussion of the film’s own circulation through attention to critical reviews which have debated the film’s success in documenting, in a timely way, a national conjuncture characterised by crisis and conflict as well as unpredictability and rapid change. The article argues that by imbricating and intertwining multiple cultures of circulation, and by drawing attention to the varied economic and urban experiences of its characters and the spaces between them, Futuro junho captures a Brazil in flux

Aesthetics · Art · Art history · Circulation (fluid dynamics · Media studies · Movement (music · Sociology · Cinema and Media Studies · Engineering · History · Urban and sociocultural dynamics · Urban Development and Societal Issues

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Citation velocityhistorical
Highly citedNo

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