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Identity, image, and visual apprehension

Baroja's impressionism in César o nada

Bibliographic Data

ID12699209
AuthorsKatharine Murphy (0000-0001-6655-8865, University of Exeter, corresponding author)
Year2008
Volume14
Issue1
Pages25-38
Publication date2008-04-01
Open AccessNo
TypeARTICLE
VenueJournal of Iberian & Latin American Studies (JOURNAL)
Journal identifiersISSN: 1469-9524 • E-ISSN: 1470-1847
PublisherTaylor & Francis (PUBLISHER • GB)
DOI10.1080/14701840802167116
OpenAlexW2030115093
LanguageEN
References cited10

Aesthetics · Apprehension · Art · Art history · Epistemology · Identity (music · Literature · French Literature and Poetry · History · Philosophy · Poetry Analysis and Criticism · Spanish Literature and Culture Studies

  • The Life and Work of Thomas Hardy

    Open Access•Thomas Hardy, Michael Millgate•Life and Work of Thomas Hardy•1984

  • Conrad in the Nineteenth Century

    Hunt Hawkins, Ian Watts et al.•South Atlantic Review•1982

  • Subjective Vision in El árbol de la ciencia and Jude the Obscure

    Katharine Murphy•Bulletin of Spanish Studies•2002

  • In Pursuit of the Natural Sign

    Roberta Johnson, Gayana Jurkevich•Hispanic Review•2002

Highly citedNo

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