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The Jews and the silver screen

Poland at the end of the 1920s

Bibliographic Data

ID12708831
AuthorsEla Bauer (0000-0002-9755-4389, Kibbutzim College of Education, Technology and the Arts, corresponding author)
Year2016
Volume16
Issue1
Pages80-99
Publication date2016-09-07
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueJournal of Modern Jewish Studies (JOURNAL)
Journal identifiersISSN: 1472-5886 • E-ISSN: 1472-5894
PublisherTaylor & Francis (PUBLISHER • GB)
DOI10.1080/14725886.2016.1204762
OpenAlexW2509538682
LanguageEN
Citations received4
References cited12

Although the second half of the 1930s (1935–1939) is known as the “Golden Age” of Yiddish cinema, these years could not have been such a high point had Jewish audiences not already obtained solid movie viewing habits throughout the 1920s. This paper presents some of the dilemmas that arose as a result of the encounter of Jewish society, including the traditional sector, with the silver screen during a time of transition the end of the 1920s, when the era of silent movies was ending and movies with sound began to dominate the art form. In these earlier years the popularity of cinema among the Jewish population in Poland was used in their struggle as a national minority. Jewish affection for the cinema integrated into their demands that the majority take their Jewish cultural needs into consideration. In addition, the discussion about the art of films in various Yiddish periodicals integrated the ongoing discussion about the relationship between high and popular culture that had begun earlier

Aesthetics · Affection · Art · Art history · Jewish culture · Judaism · Literature · Movie theater · Political science · Popularity · Population · Sociology · Yiddish · Demography · History · Italian Fascism and Post-war Society · Law · Polish Historical and Cultural Studies · Polish-Jewish Holocaust Memory Studies · Psychology

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Unique citing works4
Citations per year0.67
Citation span2020 - 2026 (7)
Citation velocitycurrent
Highly citedNo
Citation typesNeutral: 3

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