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I’m not sure whether I died that day or had been resurrected.” Paschal themes in Irit Amiel’s stories

Bibliographic Data

ID12709136
AuthorsAdam Regiewicz (0000-0003-1367-7697, Institute of Literary Studies, Częstochowa, Poland, corresponding author)
Year2020
Volume20
Issue3
Pages384-403
Publication date2020-11-04
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueJournal of Modern Jewish Studies (JOURNAL)
Journal identifiersISSN: 1472-5886 • E-ISSN: 1472-5894
PublisherTaylor & Francis (PUBLISHER • GB)
DOI10.1080/14725886.2020.1838080
OpenAlexW3097543036
LanguageEN
References cited2

Irit Amiel is an Israeli writer who writes about the Shoah, after almost 50 years of silence since having been rescued from it. Her stories are a collection of portraits in modest narratives. Until now, little attention has been paid specifically to the thread of biblical tradition in texts dedicated to the Holocaust. This article is an attempt to read Amiel’s short stories through readings from the Midrash from a messianic perspective. The method of reading is based on the concept of loci theologici, derived from the semiotics and traditions of the sacred. We cannot therefore escape it while reading texts concerning the Holocaust

Aesthetics · Art · Art history · Linguistics · Literature · Narrative · Portrait · Reading (process · Silence · The Holocaust · Theology · History · Jewish and Middle Eastern Studies · Philosophy

  • Shielding the Flame

    John C Campbell, Marek Edelman et al.•Foreign Affairs•1986

Citation velocityhistorical
Highly citedNo

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