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A poem in a medium not of words

Music, dance and arts education in Rabindranath Tagore’s Santiniketan

Bibliographic Data

ID12712972
AuthorsMatthew Pritchard (0000-0003-3534-0956, University of Cambridge, corresponding author)
Year2013
Volume13
Issue1-2
Pages101-114
Publication date2013-06-21
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueArts and Humanities in Higher Education (JOURNAL)
Journal identifiersISSN: 1474-0222 • E-ISSN: 1741-265X
PublisherSAGE Publishing (PUBLISHER • US)
DOI10.1177/1474022213491344
OpenAlexW2009291513
LanguageEN
Citations received2
References cited3

In light of recent attempts to defend the role of the arts in education against the effects of policies based on utilitarian principles, this paper examines the arts educational writings and practical projects of Rabindranath Tagore (1861–1941) at Santiniketan in West Bengal, showing how they were motivated by a Romantic and Upanishadic philosophy centred on the anti-utilitarian concept of ‘surplus’. While the development of Santiniketan’s present arts and music departments away from Tagore’s original ideals is acknowledged and traced, the paper argues that Tagore’s aesthetic and educational philosophy still contains much to challenge us. In many ways, his thought can be seen as more compatible with progressive and liberal arts education than the ideology of high modernism that developed at the same period in Europe

Aesthetics · Art · Arts in education · Dance · Higher education · Ideology · Literature · Modernism (music · Music education · Pedagogy · Philosophy of education · Poetry · Political science · Politics · Romanticism · Sociology · The arts · Visual arts · Diverse Music Education Insights · Diversity and Impact of Dance · Law · Theatre and Performance Studies

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Unique citing works2
Citations per year2
Citation span2025 - 2026 (2)
Citation velocitycurrent
Highly citedNo
Citation typesNeutral: 2

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