Skip to main content

ETHNOS_APP

Home • Search • Journals • List 0

Tum Log Yeh Shabd Ke Peechhey Kyon Parh Jaate Ho?’

Language, abjection and queer masculinity in Hansal Mehta’s Aligarh

Bibliographic Data

ID12713682
AuthorsSucheta M Choudhuri (0000-0002-8041-323X, University of Houston - Downtown, corresponding author)
Year2020
Volume18
Issue1
Pages47-61
Publication date2020-01-02
Open AccessNo
TypeARTICLE
VenueSouth Asian Popular Culture (JOURNAL)
Journal identifiersISSN: 1474-6689 • E-ISSN: 1474-6697
PublisherTaylor & Francis (PUBLISHER • GB)
DOI10.1080/14746689.2020.1733806
OpenAlexW3010101431
LanguageEN
Citations received1
References cited5

This article examines how the representation of abject masculinity resists queer erasure in Hansal Mehta’s 2016 film Aligarh. Shortly after the Delhi High Court delegitimized the homophobic Section 377 of the Indian Penal Code, the national media highlighted the assault, suspension and subsequent death of Srinivas Ramachandra Siras, a professor of Marathi literature at Aligarh Muslim University. Aligarh revisits the tragic fate of Siras, whose enforced abjection was catalyzed by not only his sexual orientation, but also the vernacular ‘wars’ that sanction region-specific forms of masculinity. The film articulates a mistrust of agency implicit in language. The abject male body in Aligarh becomes a source of resistance, rupturing the rigid codification enforced equally by the language of law and by neoliberal discourses of queer activism. Siras’s abjection, his insistence on the untranslatability of inchoate feelings and valorization of silences, pauses and emotional excess enacts a subversion of the symbolic order and a return to the pre-linguistic realm. The film posits abject queer masculinity in spectral opposition to postcolonial norms of gender and sexuality

Art · Literature · Masculinity · Political science · Politics · Queer · Sociology · Subversion · Vernacular · Gender Studies · Law · South Asian Cinema and Culture · South Asian Studies and Conflicts

  • Queer Desire and Surveillance Optics

    Kiran Raveendran, Dhishna Pannikot•Quarterly Review of Film Studies•2025

  • Revolting Subjects

    Imogen Tyler•Revolting Subjects•2013

  • Powers of Horror

    Julia Kristeva, Leon S Roudiez•Powers of Horror•2024

  • Stars

    Richard Dyer•Stardom and Celebrity•2007

  • Queer Activism in India

    Naisargi Dave, Naisargi N Dave•Queer Activism in India•2012

Citations per year1
Citation span2025 - 2025 (1)
Highly citedNo

Tools

Open DOISci-Hub
Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae