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Bhais behaving badly

Vernacular masculinities in Hindi detective novels

Bibliographic Data

ID12713751
AuthorsLaura Brueck (Northwestern University, corresponding author)
Year2020
Volume18
Issue1
Pages29-46
Publication date2020-01-02
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueSouth Asian Popular Culture (JOURNAL)
Journal identifiersISSN: 1474-6689 • E-ISSN: 1474-6697
PublisherTaylor & Francis (PUBLISHER • GB)
DOI10.1080/14746689.2020.1733810
OpenAlexW3009368324
LanguageEN
References cited2

This article considers some of the novels of towering modern Hindi language detective novelists Ved Prakash Sharma and Surender Mohan Pathak. The articulation of masculinity that each novelist proffers through their plots and characters is considered within a nuanced context of popular detective novel traditions in other languages in India as well as the various paratexts of the novels themselves (covers, authors' notes etc.) This article ultimately argues that both Sharma and Pathak reveal nuanced iterations of vernacular masculinity. Sharma plays with stereotypical notions of male heroism and villainy within a localized context of nationalist discourse, while Pathak features antihero protagonists in the roles of modern Indian ‘everymen.’ The idea of a vernacular gendered aesthetic here thus refers to a pointedly localized–as opposed to global–approach to language, theme, literary style, circulation, and audience

Art · Articulation (sociology · Context (archaeology · Hindi · Linguistics · Literature · Masculinity · Nationalism · Politics · Sociology · Style (visual arts · Theme (computing · Vernacular · American and British Literature Analysis · Computer Science · Cultural History and Identity Formation · Gender Studies · History · Law · Philosophy · Postcolonial and Cultural Literary Studies

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Citation velocityhistorical
Highly citedNo

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