Routledge handbook of Indian cinemas
Bibliographic Data
| ID | 12713971 |
|---|---|
| Authors | Omar Ahmed (0000-0003-0873-0430, University of Manchester, corresponding author) |
| Year | 2014 |
| Volume | 12 |
| Issue | 1 |
| Pages | 49-51 |
| Publication date | 2014-01-02 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | South Asian Popular Culture (JOURNAL) |
| Journal identifiers | ISSN: 1474-6689 • E-ISSN: 1474-6697 |
| Publisher | Taylor & Francis (PUBLISHER • GB) |
| DOI | 10.1080/14746689.2014.879425 |
| OpenAlex | W2022155511 |
| Language | EN |
| Citations received | 11 |
Click to increase image sizeClick to decrease image size Notes1. "A Good Filmmaker Should Have Clear Context: Shyam Benegal." The Times of India, 13 Feb. 2013. Web. 30 June 2013
Archaeology · Art · Art history · Context (archaeology · Film director · Geography · Image (mathematics · Media studies · Movie theater · Sociology · Computer Science · South Asian Cinema and Culture · Artificial Intelligence
Bollywood, Maratha imperialism and Hindu nationalism
Parmanu
Author–Screenwriter– Director (1930s–1950s)
Documentary Form and Spectral Citizenship in Madhusree Dutta’s 7 Islands and a Metro
Behind the Scenes
From ‘Angry Young Man’ to ‘Benevolent Patriarch’
Locating and dislocating gender and middle-class moralities in Malayalam cinema
Crossed wires and crooked calls
Brown gaze and white flesh
Intimacy in Non-Western Discourses of Terrorism
Dancing through patriarchy
| Unique citing works | 11 |
|---|---|
| Citations per year | 1.1 |
| Citation span | 2016 - 2024 (9) |
| Citation velocity | recent |
| Highly cited | No |
| Citation types | Neutral: 9 |