Escribió a Italia. Vinieron los pintores’
Bolognese quadratura , Illusionism and Velázquez's Las meninas
Bibliographic Data
| ID | 12718490 |
|---|---|
| Authors | Jeremy Robbins (0000-0002-9672-4841, University of Edinburgh, corresponding author) |
| Year | 2017 |
| Pages | 1-25 |
| Publication date | 2017-07-31 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Bulletin of Spanish Studies (JOURNAL) |
| Journal identifiers | ISSN: 1475-3820 • E-ISSN: 1478-3428 |
| Publisher | Routledge (PUBLISHER • GB) |
| DOI | 10.1080/14753820.2017.1345145 |
| OpenAlex | W2741768604 |
| Language | ES |
| References cited | 2 |
In this article, I place Velázquez's Las meninas in the context of Baroque illusionism, specifically Baroque quadratura as exemplified by two of its greatest practitioners, Angelo Michele Colonna and Agostino Mitelli, who Velázquez was instrumental in bringing to Madrid. In so situating Las meninas, I argue that Velázquez's masterpiece was, in part, his magisterial response to the creative challenge posed by the distinctive form of spatial illusionism of these Bolognese artists; their work was a major impetus behind both his decision to explore illusionistic space at a late stage in his career and the manner in which he did so
Archaeology · Art · Art history · Baroque · Context (archaeology · Humanities · Visual arts · Architecture and Art History Studies · Historical Art and Architecture Studies · Historical Studies of Medieval Iberia · History
| Highly cited | No |
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