Buñuel, Eisenstein, and the ‘Montage of Attractions’
An Approach to Film in Theory and Practice
Bibliographic Data
| ID | 12719005 |
|---|---|
| Authors | Paul Begin (Pepperdine University, corresponding author) |
| Year | 2006 |
| Volume | 83 |
| Issue | 8 |
| Pages | 1113-1132 |
| Publication date | 2006-12-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Bulletin of Spanish Studies (JOURNAL) |
| Journal identifiers | ISSN: 1475-3820 • E-ISSN: 1478-3428 |
| Publisher | Routledge (PUBLISHER • GB) |
| DOI | 10.1080/14753820601073613 |
| OpenAlex | W1968659421 |
| Language | EN |
| Citations received | 3 |
The now abundant amount of criticism dedicated to Luis Bunuel can generally be divided into two categories: (1) treatment of his filmography; and (2) biographical criticism that is preoccupied with
Aesthetics · Art · Art history · Criticism · Filmography · Literature · Movie theater · Performance art · Visual arts · Cinema History and Criticism · Photographic and Visual Arts · Spanish Culture and Identity
| Unique citing works | 3 |
|---|---|
| Citations per year | 0,25 |
| Citation span | 2014 - 2017 (4) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 2 |