Skip to main content

ETHNOS_APP

Home • Search • Journals • List 0

Whatever Next? Women's Rights in Sáenz de Heredia's Los derechos de la mujer (1962)

Bibliographic Data

ID12719356
AuthorsAnja Louis (0000-0002-0275-8144, University of Sheffield, corresponding author)
Year2012
Volume89
Issue1
Pages87-104
Publication date2012-01-01
Open AccessNo
TypeARTICLE
VenueBulletin of Spanish Studies (JOURNAL)
Journal identifiersISSN: 1475-3820 • E-ISSN: 1478-3428
PublisherRoutledge (PUBLISHER • GB)
DOI10.1080/14753820.2012.646812
OpenAlexW2036844425
LanguageES
Citations received1

This article examines José Luis Sáenz de Heredia's film Los derechos de la mujer (1962), which raises questions about empowering women within the legal arena and mediates historical and cultural anxieties that circulated in more general terms after the legal changes of 1958 and 1961. It looks at this relatively early representation of filmic female lawyers, produced at a time when women were entering a traditionally male sphere and access to the legal profession itself was one of the main issues. It is theoretically informed by Cynthia Lucia's book entitled Framing Female Lawyers which examines female lawyers as catalysts of patriarchal crisis and argues that cultural representations of the female lawyer as a figure with access to the law most often entails that she herself will be interrogated and put on trial. Finally, it asks to what degree this early example of female lawyer films constructs the subjectivity of its female protagonist in the way that law constructs its female subjects at the time, namely as eternas menores with limited legal capacities who consequently activate their own mechanisms of containment. The film challenges, yet ultimately restores, patriarchal power through the action of the female lawyer; in that sense both law and the female lawyer are instruments of a male-dominated world

Art · Humanities · Legal profession · Political science · Power (physics · Sociology · Subjectivity · Gender Studies · Law · Law in Society and Culture · Philosophy · Spanish Culture and Identity

  • Del Génesis a Christian Dior. Tensiones y cambios en el matrimonio franquista a través del cine (1958-1963)

    Open Access•Aintzane Rincón, Aintzane Rincón Díez•Arenal Revista de historia de las…•2020

Citations per year0.17
Citation span2020 - 2020 (1)
Highly citedNo

Tools

Open DOISci-Hub
Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae