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What's love got to do with it

(Un)bending identities and conventions in Gurinda Chadha's Bend it Like Beckham

Bibliographic Data

ID12720955
AuthorsClaudia May (University of Birmingham, corresponding author)
Year2010
Volume11
Issue3
Pages247-276
Publication date2010-08-27
Open AccessNo
TypeARTICLE
VenueCulture and Religion (JOURNAL)
Journal identifiersISSN: 1475-5610 • E-ISSN: 1475-5629
PublisherInforma UK Limited (PUBLISHER • GB)
DOI10.1080/14755610.2010.505433
OpenAlexW2066627022
LanguageEN
References cited32

The connection between religion and football is not lost on film-maker Gurinder Chadha, who, in her film Bend it Like Beckham Bend it Like Beckham. Directed by Gurinder Chadha. Kintop Picture, 2002 [Google Scholar], charts the passions of a young woman called Jesminder (Jess), whose devotion to the game of football, and in particular David Beckham, and her determination not to cut herself off from her Sikh faith, culture and family, feature prominently in this cinematic depiction charting a young woman's quest to become a professional footballer. When applied to the study of identity formation, Gurinder Chadha transforms the bend-it-like-Beckham technique into a theoretical premise through which a critical examination into the complex trajectories and contesting traditions underscoring culture, race, gender and religious formation(s) can be examined on and off the football field

Art · Depiction · Epistemology · Faith · Football · Literature · Passion · Passions · Premise · Sociology · Theology · Gender Studies · History · Philosophy · Psychology · Social Psychology · South Asian Cinema and Culture · South Asian Studies and Conflicts · South Asian Studies and Diaspora

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