A tale of two singers
Representation, copyright, and “El Cantante”
Bibliographic Data
| ID | 12723208 |
|---|---|
| Authors | Marisol Negrón (University of Massachusetts Boston, corresponding author) |
| Year | 2015 |
| Volume | 13 |
| Issue | 1 |
| Pages | 44-68 |
| Publication date | 2015-03-01 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Latino Studies (JOURNAL) |
| Journal identifiers | ISSN: 1476-3435 • E-ISSN: 1476-3443 |
| Publisher | Palgrave Macmillan (PUBLISHER • GB) |
| DOI | 10.1057/lst.2014.74 |
| OpenAlex | W2328493827 |
| Language | EN |
| References cited | 16 |
Acoustics · Art · Chorus · Lawsuit · Linguistics · Literature · Political science · Representation (politics · Singing · Sociology · Successor cardinal · Visual arts · Diverse Musicological Studies · History · Law · Music History and Culture · Philosophy · Theater, Performance, and Music History
The Social Life of Things
Latin Music in the United States
Introduction
From Colonia to Community
What°Fs Left of the Intelligentsia? The Uncertain Future of the Printed Word
Critical Passions
Sponsored Identities
Dissonant Divas
Making and Unmaking Intellectual Property
Coloniality and Modernity/Rationality
| Highly cited | No |
|---|