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Why Huddersfield? Media representations of a festival of contemporary music in the ‘unlikeliest’ of places

Bibliographic Data

ID12724446
AuthorsRichard Voase (0000-0003-0374-6505, University of Lincoln, corresponding author)
Year2009
Volume7
Issue2
Pages146-156
Publication date2009-06-01
Open AccessNo
TypeARTICLE
VenueJournal of Tourism and Cultural Change (JOURNAL)
Journal identifiersISSN: 1476-6825 • E-ISSN: 1747-7654
PublisherTaylor & Francis (PUBLISHER • GB)
DOI10.1080/14766820903134779
OpenAlexW1992055489
LanguageEN
Citations received3
References cited16

A festival of contemporary music was established in 1978 in Huddersfield, an industrial town in northern England. The event acquired an international reputation, enjoyed to the present day. Yet the news media continued to report as 'surprising' the successful juxtaposition of avant-garde art with an industrial town. An explanation is constructed via an analytic discussion of fashionability, the avant-garde, and the nature of continuing news. This discussion is further set within the context of the generic urban transition from the industrial to the post-industrial, and the movement known as cultural regeneration. The work of Simmel, Nietzsche, and Bourdieu are deployed in these analyses. The concluding argument is that the news media are relating, simultaneously, three stories: that of the success of a festival; that of the cultural regeneration of urban centres seeking a role in a new economy; and a generic rags-to-riches narrative. The news reporting of the Huddersfield Contemporary Music Festival is thus a multiple metaphor for a continuing cultural change

Aesthetics · Archaeology · Art · Contemporary classical music · Context (archaeology · Literature · Media studies · Metaphor · Music festival · Musical · Narrative · Popular music · Sociology · Visual arts · History · Music History and Culture · Social and Cultural Dynamics · Sport and Mega-Event Impacts

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Citations per year0.25
Citation span2014 - 2017 (4)
Highly citedNo

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