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And Spinning So With Voices Meet, Like Nightingales They Sung Full Sweet’

Unravelling Representations of Singing in Pre-Industrial Textile Production

Bibliographic Data

ID12730744
AuthorsEmma Robertson (0000-0001-6193-0082, Sheffield Hallam University, Loughborough University, Loughborough University Business School, corresponding author), Michael Pickering (0000-0002-8085-3673, Sheffield Hallam University, Loughborough University, Loughborough University Business School), Marek Korczynski (0000-0003-1517-6001, Sheffield Hallam University, Loughborough University, Loughborough University Business School)
Year2008
Volume5
Issue1
Pages11-31
Publication date2008-03-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueCultural and Social History (JOURNAL)
Journal identifiersISSN: 1478-0038 • E-ISSN: 1478-0046
PublisherRoutledge (PUBLISHER • GB)
DOI10.2752/147800408x266572
OpenAlexW2023896037
LanguageEN
References cited8

This article examines the relationship between music and work in pre-industrial textile production and the ways in which it has been conceived and represented. Focusing on the processes of lace making, spinning and weaving, we consider whether working conditions were conducive to music making and the nature of the music being performed. In so doing we unpick idealized conceptions of singing by pre-industrial workers, studying music as taking place in work contexts structured by social hierarchies of gender, age and class. Our approach brings social and cultural history together with theories of musical structure and process in order to further our understanding of music in everyday life

Acoustics · Archaeology · Art · Economics · Physics · Production (economics · Singing · Spinning · Textile · Visual arts · Autobiographical and Biographical Writing · Engineering · History · Interdisciplinary Cultural and Social Studies · Posthumanist Ethics and Activism · Mechanical Engineering

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Citation velocityhistorical
Highly citedNo

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