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The “fugitive notes” of Teju Cole’s Open City

Bibliographic Data

ID12737671
AuthorsPaula von Gleich (0000-0002-5910-3245, University of Bremen, corresponding author)
Year2021
Volume19
Issue2
Pages334-351
Publication date2021-01-07
Open AccessYes
TypeARTICLE
VenueAtlantic Studies (JOURNAL)
Journal identifiersISSN: 1478-8810 • E-ISSN: 1740-4649
PublisherTaylor & Francis (PUBLISHER • GB)
DOI10.1080/14788810.2020.1870399
OpenAlexW3120139893
LanguageEN
Citations received3
References cited21

While Julius, the narrator of Open City (2011), foregrounds walks, intellectual digression, and stories of minor characters, personal traumatic memories paired with traces and remnants of chattel slavery and the slave trade haunt him. My analysis of Teju Cole’s novel focuses on flight as a physical and mental movement that Julius performs, trying to flee from an association with his Nigerian past and the past of the Atlantic world. His compulsive walks and cosmopolitan musings offer only temporary, improvised refuge. The text remains caught in the gendered history and anti-black legacy of the transatlantic slave trade and chattel slavery as well as the ways in which Julius is implicated not only as a witness and victim but also as a perpetrator. Gendered anti-black violence, I argue, forms the obscured ground on which Julius’s narration is built, while the novel’s narrative techniques of oversharing and evasion ultimately negotiate its narratibility

Art · Linguistics · Literature · Narrative · Negotiation · Sociology · Witness · African history and culture studies · Caribbean history, culture, and politics · History · Philosophy · Postcolonial and Cultural Literary Studies

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Citations per year0.75
Citation span2022 - 2025 (4)
Highly citedNo

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