In Defense of African Harmony
Bibliographic Data
| ID | 12766596 |
|---|---|
| Authors | Martin Scherzinger (New York University, corresponding author) |
| Year | 2022 |
| Volume | 24 |
| Issue | 1 |
| Pages | 91-98 |
| Publication date | 2022-01-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Ghana Studies (JOURNAL) |
| Journal identifiers | ISSN: 1536-5514 • E-ISSN: 2333-7168 |
| Publisher | University of Wisconsin Press (PUBLISHER • US) |
| DOI | 10.3368/gs.24.1.91 |
| OpenAlex | W4388470656 |
| Language | EN |
| References cited | 8 |
K. Agawu (2016). The African imagination in music. Oxford University Press, 372 pp. For the music scholar Kofi Agawu, it is impossible to consider cultural phenomena apart from their discursive historical conditions. But the critique that drives his oeuvre is not merely cultural in nature, but
Aesthetics · Art · Harmony (color · Harmony (Music · Literature · Musical · Sociology · Visual arts · Anthropology · Global Maritime and Colonial Histories · History · Multisensory perception and integration · Music History and Culture
| Citation velocity | historical |
|---|---|
| Highly cited | No |