Regino Pedroso and the Creation of a Triple Consciousness
Bibliographic Data
| ID | 12774288 |
|---|---|
| Authors | Debbie Lee (0000-0002-7289-9794, Seton Hill University, corresponding author) |
| Year | 2003 |
| Volume | 2 |
| Issue | 3 |
| Pages | 225-240 |
| Publication date | 2003-07-01 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Journal of Hispanic Higher Education (JOURNAL) |
| Journal identifiers | ISSN: 1538-1927 • E-ISSN: 1552-5716 |
| Publisher | SAGE Publishing (PUBLISHER • US) |
| DOI | 10.1177/1538192703002003002 |
| OpenAlex | W2166211241 |
| Language | EN |
This article delves into the complex subjectivity of the Cuban vanguard poet Regino Pedroso and how Pedroso confronted his subjectivity through poetry. The poems “Salutación fraterna al taller mecánico,” “Hermano negro,” and “Salutación a un camarada culí” all demonstrate to some degree the triple dimension of Pedroso's situation of being Black, Chinese, and a member of the oppressed working class
Aesthetics · Art · Consciousness · Epistemology · Humanities · Literature · Poetry · Sociology · Subjectivity · Vanguard · Cuban History and Society · Gender Studies · History · Latin American Literature Studies · Philosophy · Spanish Literature and Culture Studies
| Highly cited | No |
|---|