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Popular Communication and the Postcolonial Zeitgeist

On Reconsidering Roots Reggae and Dub

Bibliographic Data

ID12780176
AuthorsJames F Tracy (corresponding author)
Year2005
Volume3
Issue1
Pages21-41
Publication date2005-01-28
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenuePopular Communication (JOURNAL)
Journal identifiersISSN: 1540-5702 • E-ISSN: 1540-5710
PublisherTaylor & Francis (PUBLISHER • GB)
DOI10.1207/s15405710pc0301_2
OpenAlexW2066094970
LanguageEN
Citations received1
References cited13

This article is an interpretive examination of roots and dub reggae and the musical genres' development in the 1970s and thereafter. It is comprised of a historical overview and discussion of roots reggae as political and aesthetic communication, and as an unusual communicative form that defied conventional economic, cultural, and national boundaries through a combination of music and commentary that rekindled vital elements of oral culture and tradition missing in most modern print and electronic "mass" communication. A focus on reggae further suggests the ways in which musical recordings are active documents capable of transcending their seeming fixity in space and time, thus confirming a certain social and cultural essence of a period. The article concludes with a discussion of dub, dub artists' affinity with and aural representation of the otherworldly, their preoccupation with phonographic technology, and the similitude of such interests and activities with 19th-century Spiritualists' attempted correspondences with the ethereal

Aesthetics · Art · Linguistics · Literature · Musical · Political science · Politics · Representation (politics · Sociology · Zeitgeist · Asian Culture and Media Studies · History · Law · Media, Gender, and Advertising · Music History and Culture · Philosophy

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Unique citing works1
Citations per year0.14
Citation span2019 - 2019 (1)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 1

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