Situating Ingmar Bergman and world cinema
Bibliographic Data
| ID | 12780441 |
|---|---|
| Authors | Hamish Ford (University of Newcastle Australia), Daniel Humphrey (0000-0003-2952-8901, Texas A&M University, corresponding author) |
| Year | 2021 |
| Volume | 19 |
| Issue | 2 |
| Pages | 66-79 |
| Publication date | 2021-04-03 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Popular Communication (JOURNAL) |
| Journal identifiers | ISSN: 1540-5702 • E-ISSN: 1540-5710 |
| Publisher | Taylor & Francis (PUBLISHER • GB) |
| DOI | 10.1080/15405702.2020.1868047 |
| OpenAlex | W3169624242 |
| Language | EN |
| References cited | 9 |
Introducing four essays and a stage play that make up the “Bergman World” special issue of Popular Communication, the authors argue for an expanded understanding of world cinema, one that attends to critical and scholarly voices beyond the hegemon of the United States, the United Kingdom, and Western continental Europe, one that, indeed, attends to “their” (the non-West’s) perspective on “us” (Western filmmakers, film scholars, and films) as much as what “we” think of “them.” More specifically, the article asserts the profound global impact of the work of Swedish filmmaker Ingmar Bergman outside North America and Western Europe
Art · Art history · Film director · Hegemony · Media studies · Movie theater · National cinema · Perspective (graphical · Political science · Sociology · Visual arts · History · Kierkegaardian Philosophy and Influence · Law · Literature and Cultural Memory · Visual Culture and Art Theory
| Highly cited | No |
|---|