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Becoming Black and Elvis

Transnational and Performative Identity in the Novels of Chris Abani

Bibliographic Data

ID12786641
AuthorsAmanda Aycock (Russian State Agrarian Correspondence University, corresponding author)
Year2009
Volume10
Issue1
Pages11-25
Publication date2009-01-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueSafundi (JOURNAL)
Journal identifiersISSN: 1543-1304 • E-ISSN: 1753-3171
PublisherTaylor & Francis (PUBLISHER • GB)
DOI10.1080/17533170802650987
OpenAlexW2043362900
LanguageEN
Citations received3
References cited5

Aesthetics · Art · Art history · Identity (music · Literature · Performative utterance · Sociology · Caribbean history, culture, and politics · Gender Studies · Postcolonial and Cultural Literary Studies · South Asian Cinema and Culture

  • Popular Cultural Memory in Chris Abani’s Graceland

    Christopher E W Ouma, Christopher Ouma•Eastern African Literary and…•2016

  • The Emergent Queer

    Green-Simms Green-Simms•Research in African Literatures•2016

  • Mami Wata and the Occluded Feminine in Anglophone Nigerian-Igbo Literature

    Krishnan Krishnan•Research in African Literatures•2012

  • The way of the world

    Franco Moretti•The way of the world•2000

  • Enabling Fictions and Novel Subjects

    Open Access•Joseph R Slaughter•PMLA/Publications of the Modern…•2006

  • Third-World Literature in the Era of Multinational Capitalism

    Fredric Jameson•Social Text•1986

  • Third-World Literature in the Era of Multinational Capitalism

    Fredric Jameson•Postcolonial Studies Dictionary•2016

  • Gender Trouble

    Judith Butler•Gender Trouble•2011

Unique citing works3
Citations per year0,21
Citation span2012 - 2016 (5)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 3

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