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Towards a grammar of gesture

A comparison between the types of hand movements of the orator and the actor in Quintilian’s Institutio Oratoria 11.3.85–184

Bibliographic Data

ID12824420
AuthorsDorota Dutsch (University of California, Santa Barbara, corresponding author)
Year2002
Volume2
Issue2
Pages259-281
Publication date2002-12-31
Open AccessNo
TypeARTICLE
VenueGesture (JOURNAL)
Journal identifiersISSN: 1568-1475 • E-ISSN: 1569-9773
PublisherJohn Benjamins Publishing Company (PUBLISHER • NL)
DOI10.1075/gest.2.2.07dut
OpenAlexW2009785378
LanguageEN
Citations received22

In his Institutio (11.3.85–88), Quintilian divides all human gestures into “imitative” and “natural,” with natural gestures forming a symbolic code comparable to spoken language. This language of gesture would have included hand movements equivalent to adverbs, pronouns, nouns, and verbs. Such symbolic gestures, spontaneously accompanying words, were the only ones that Quintilian recommended for the orator. The actor’s gestures, dependent as they were on the lines spoken — and not on the actor’s thoughts and feelings — could not be spontaneous. The gestures made on stage were imitative of the various categories of the natural (i.e. symbolic) gestures, or of actions of everyday life

Feeling · Gesture · Grammar · Linguistics · Natural (archaeology · Noun · Communication · Computer Science · Hearing Impairment and Communication · Historical Linguistics and Language Studies · History · Language, Metaphor, and Cognition · Philosophy · Psychology · Social Psychology

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Highly citedNo

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