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Real space blends in spoken language

Evidence from “Mr. Roberts”

Bibliographic Data

ID12824577
AuthorsDavid Macgregor (0000-0002-4412-7260, Georgetown University, corresponding author)
Year2004
Volume4
Issue1
Pages75-89
Publication date2004-06-10
Open AccessNo
TypeARTICLE
VenueGesture (JOURNAL)
Journal identifiersISSN: 1568-1475 • E-ISSN: 1569-9773
PublisherJohn Benjamins Publishing Company (PUBLISHER • NL)
DOI10.1075/gest.4.1.05mac
OpenAlexW2082071903
LanguageEN
Citations received1

In analyzing the use of space in American Sign Language (ASL), Liddell (2003) argues convincingly that no account of ASL can be complete without a discussion of how linguistic signs and non-linguistic gestures and gradient phenomena work together to create meaning. This represents a departure from the assumptions of much of linguistic theory, which has attempted to describe purely linguistic phenomena as part of an autonomous system. It also raises the question of whether these phenomena are peculiar to ASL and other sign languages, or if they also apply to spoken language. In this paper, I show how Liddell’s approach can be applied to English data to provide a fuller explanation of how speakers create meaning. Specifically, I analyze Jack Lemmons’ use of space, gesture, and voice in a scene from the movie “Mr. Roberts”

American Sign Language · Epistemology · Gesture · Linguistics · Meaning (existential · Sign (mathematics · Sign language · Spoken language · Computer Science · Hearing Impairment and Communication · Language, Discourse, Communication Strategies · Linguistics, Language Diversity, and Identity · Mathematics · Philosophy

  • Co-forming real space blends in tactile signed language dialogues

    Open Access•Johanna Mesch, Eli Raanes et al.•Cognitive Linguistics•2015

Citations per year0.09
Citation span2015 - 2015 (1)
Highly citedNo

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