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Georgia and Sasanian Iran

Some Aspects of Royal Imagery in Early Christian Georgian Art and Literary Tradition

Bibliographic Data

ID12844355
AuthorsMariam Gvelesiani (0009-0007-2448-6243, University of Georgia, corresponding author)
Year2024
Volume28
Issue4-5
Pages378-387
Publication date2024-11-08
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueIran and the Caucasus (JOURNAL)
Journal identifiersISSN: 1573-384X • E-ISSN: 1609-8498
PublisherBrill (PUBLISHER • NL)
DOI10.1163/1573384x-02804006
OpenAlexW4404261469
LanguageEN
References cited3

This article examines the impact of Sasanian hegemony in Georgia (Kartli/Iberia) on the monuments of early Christian Georgia’s material culture. It explores how Sasanian political power and influence were conveyed through visual imagery, depicting Kartli as an adaptive yet creatively distinct realm that incorporated many elements of Sasanian art and culture into early Christian iconography. The article focuses on some iconographic motifs representing the Sasanian concept of royalty and their adaptation to Georgian culture, analyzed through both Iranian and Georgian visual sources, as well as Georgian textual data

Ancient history · Archaeology · Asian studies · Central asia · China · Geography · Ancient Near East History · Byzantine Studies and History · Eurasian Exchange Networks · History

  • The Spread Wings Motif on Armenian Steles

    Matteo Compareti•Iran and the Caucasus•2010

  • Calendars and coronations

    Open Access•Susam Tyler-Smith•Byzantine and Modern Greek Studies•2004

Citation velocityhistorical
Highly citedNo

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