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Woe of Tale? The emergence, vicissitudes and (over-) efficiency of the Swiss narrative of democracy

Bibliographic Data

ID12858588
AuthorsIrène Herrmann (0000-0002-6046-2392, University of Geneva, corresponding author)
Year2019
Volume17
Issue2
Pages135-146
Publication date2019-04-01
Open AccessYes
TypeARTICLE
VenueJournal of Modern European History (JOURNAL)
Journal identifiersISSN: 1611-8944 • E-ISSN: 2631-9764
PublisherSAGE Publishing (PUBLISHER • US)
DOI10.1177/1611894419835740
OpenAlexW2928904849
LanguageEN

The Swiss narrative of democracy is a well-known and well-studied topic. Not only is it still used by current—mostly populist and xenophobic—political actors, but it has been explored by at least two generations of historians who have tracked its development before the French Revolution and, to a lesser extent, during the 19th century, a period during which Swiss democracy was undergoing dramatic changes. This literature shows that this narrative was first an account of Swiss liberty before focusing on democracy per se. It also demonstrates that the democracy it depicts has very little to do with its medieval counterpart. However, historians mostly overlook a crucial element, which is highlighted in this volume, as they fail to truly analyse the use of the narrative form—and the consequences of its use, per se. By focusing first on the emergence of this narrative and then by thoroughly exploring its development during the post-revolutionary period, along with the evolution of democracy itself, this article seeks to prove the importance of the narrative (form) for the evolution of Swiss modern democracy—even today

Aesthetics · Art · Democracy · Direct democracy · Literature · Narrative · Period (music · Political economy · Political science · Politics · Sociology · Communism, Protests, Social Movements · European Political History Analysis · History · Law · Memory, History, Trauma, Identity · Philosophy

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