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Être spectateur de cinéma

L'exemple de la diaspora africaine

Bibliographic Data

ID12864200
AuthorsJames Burns (0000-0001-9098-5234, corresponding author)
TranslatorsAnny Bloch-Raymond
Year2004
Volume4
Issue1
Pages113-124
Publication date2004-01-01
Open AccessYes
TypeARTICLE
VenueDiasporas (JOURNAL)
Journal identifiersISSN: 1637-5823 • E-ISSN: 2431-1472
PublisherPERSEE Program (PUBLISHER)
DOI10.3406/diasp.2004.936
OpenAlexW3006235280
LanguageFR
Citations received1

Cinema Spectatorship in the African Diaspora. This article explores the birth of cinema spectatorship among audiences in the African diaspora. It demonstrates that in the first decades of the twentieth century peoples of color in Africa, North America, and the Caribbean embraced the new medium of the cinema in remarkably similar and surprising ways. The commonalities of this experience reflect the shared challenges and opportunities facing black peoples throughout the world during this era of expanding colonial authority and racial segregation

Archaeology · Art · Art history · Colonialism · Diaspora · Ethnology · Humanities · Movie theater · Sociology · African history and culture studies · Anthropology · Caribbean and African Literature and Culture · Gender Studies · History

  • The African Bioscope – Movie House Culture in British Colonial Africa

    James Burns•Afrique & histoire•2006

Citations per year0.05
Citation span2006 - 2006 (1)
Highly citedNo

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