Shattering the Crown of the God
Violence as a Formative and Legitimising Element in the Pāṇḍya Dynastic Narrative
Bibliographic Data
| ID | 12875103 |
|---|---|
| Authors | David Pierdominici Leão (0000-0002-6725-3219, Jagiellonian University, corresponding author) |
| Year | 2024 |
| Volume | 26 |
| Issue | 2 |
| Pages | 119-151 |
| Publication date | 2024-07-24 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Cracow Indological Studies (JOURNAL) |
| Journal identifiers | ISSN: 1732-0917 • E-ISSN: 2449-8696 |
| Publisher | Księgarna Akademicka (PUBLISHER • PL) |
| DOI | 10.12797/cis.26.2024.02.05 |
| OpenAlex | W4400935643 |
| Language | EN |
| Citations received | 1 |
| References cited | 9 |
Among the extensive repertoire of Pāṇḍya dynastic themes, the motif of clash between a Pāṇḍya sovereign and Indra is ubiquitous. This topos which supposedly originated around middle of the 5th century CE, can be traced to Cilapattikāram XI, 17–30, which celebrates a Pāṇḍya monarch wearing Indra’s garland, capturing the clouds, and breaking the god’s crown. The narrative was later employed in the Tiruviḷaiyāṭaṟpurāṇam (late 13th century) and its Sanskrit rendering, the Hālāsyamāhātmya (14th–15th centuries), where the actions of the Pāṇḍya kings were inserted in the narratives about the divine līlās of Śiva in Madurai. Since the early phase of the dynasty, this mytheme was employed as a tool of political display in the South. After a survey of the motif in the first phase of the imperial documents, the paper will focus on the reemployment of the category of royal violence in the Teṅkāśi dynastic period (14th–18th centuries CE), using the lens of the official copper plates of the late Pāṇḍya chancery and the previous Sanskrit literary production
Art · Crown (dentistry · American Constitutional Law and Politics · Dentistry · Medicine · Psychology
| Citations per year | 1 |
|---|---|
| Citation span | 2025 - 2025 (1) |
| Highly cited | No |