Khushwant Singh’s Train to Pakistan and Margaret Bourke-White’s Partition Photographs

Clash of Narratives or Postmemory Project

Bibliographic Data

ID12875157
AuthorsIra Sarma (0000-0002-6785-3644, Leipzig University, corresponding author)
Year2015
Volume17
Issue17
Pages269-292
Publication date2015-01-01
Open AccessYes
TypeARTICLE
VenueCracow Indological Studies (JOURNAL)
Journal identifiersISSN: 1732-0917 • E-ISSN: 2449-8696
PublisherKsięgarna Akademicka (PUBLISHER • PL)
DOI10.12797/cis.17.2015.17.14
OpenAlexW2605467280
LanguageEN
Citations received1
References cited9

Khushwant Singh’s Train to Pakistan and Margaret Bourke-White’s Partition Photographs: Clash of Narratives or Postmemory Project Memories of the Partition of India have, over the last decades, been constructed through a broad range of media, such as biographical memory, historiography, or literature. An interesting more recent example of remembrance is the illustrated golden jubilee edition of Khushwant Singh’s novel Train to Pakistan (2006) which features more than 60 of photographs of the US-American photojournalist Margaret Bourke-White and a wide range of editorial paratexts. An analysis of this new edition will show that the textual and visual narratives thus combined differ widely and do not support each other as the editor Pramod Kapoor claims. However, if we look at the project as a whole we find it to be more than simply an “illustrated version” of the original novel. Rather, it can be seen as what Marianne Hirsch has called a ‘postmemory’ project: Kapoor connects different viewpoints and narratives and thus finds a form of expressing his own view of Partition and the ways the second generation should deal with it

Art · Art history · Combinatorics · Literature · Narrative · Partition (number theory · Viewpoints · Visual arts · White (mutation · History · Mathematics · South Asian Cinema and Culture · South Asian Studies and Conflicts · South Asian Studies and Diaspora

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