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And Let the Grove, If Not the Parlour, Stand”

Home, Memory, and Gender in Mary Leapor's “Crumble-Hall”

Bibliographic Data

ID12877910
AuthorsVassiliki Markidou (0000-0003-4331-2146, National and Kapodistrian University of Athens, corresponding author)
Year2009
Volume6
Issue2
Pages163-178
Publication date2009-04-09
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueHome Cultures (JOURNAL)
Journal identifiersISSN: 1740-6315 • E-ISSN: 1751-7427
PublisherTaylor & Francis (PUBLISHER • GB)
DOI10.2752/175174209x416580
OpenAlexW2009166598
LanguageEN
References cited7

This article focuses on Mary Leapor's "Crumble-Hall" and attempts to shed light on her gendered/class poetics. It argues that the poet uses the house as a metaphor for gendered (male) and social class (gentry) dominance as well as that through memory she assumes (poetic) control over it, demolishes and remakes it, thus forging her female/literary identity. The article also demonstrates that Leapor makes use of both social and psychological space in her poem. By appropriating the country-house convention, she creates a dialectical relationship between external space—the architectural structure; and internal space—the kitchen maid's unconscious; and points out that as the former crumbles, the latter stands because of the significance it acquires. Indeed, her memory of Crumble-Hall not only spawns years of suppression and hardship but also becomes the stepping-stone for her rebellion as well as for the creation of her verse. Her poetic empowerment is projected through the image of the grove surrounding the country house, a multifaceted symbol signifying the interrelation of home, memory, and female literary production. Overall, Leapor re-creates the past glory of the gentry house, depicts her subservient state, conveys her subversion, and finally, establishes her newfound identity as a female poet, all within the framework of fragmented memories. Consequently, she succeeds in promoting the need for gendered and class transgression, in the hope that her sisters can bring about the "crumbling" of their own "house" and remake their "home."KEYWORDS: homememorygenderlaboring-class female poetsLeapor

Aesthetics · Art · Gentry · Identity (music · Innocence · Literature · Poetics · Poetry · Political science · Politics · Sociology · Subversion · Gender Studies · History · Irish and British Studies · Law · Poetry Analysis and Criticism

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    Open Access•Dustin Griffin•Literary Patronage in England,…•1996

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Citation velocityhistorical
Highly citedNo

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