L’usine vide comme imaginaire cinématographique
Bibliographic Data
| ID | 12878872 |
|---|---|
| Authors | Fabienne Bullot (corresponding author) |
| Year | 2014 |
| Volume | 18 |
| Issue | 3 |
| Pages | 314-322 |
| Publication date | 2014-05-15 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Contemporary French and Francophone Studies (JOURNAL) |
| Journal identifiers | ISSN: 1740-9292 • E-ISSN: 1740-9306 |
| Publisher | Routledge (PUBLISHER • GB) |
| DOI | 10.1080/17409292.2014.906217 |
| OpenAlex | W2038148379 |
| Language | FR |
| References cited | 3 |
Alain Guiraudie chose an idle steel mill as the setting for a fictional chronicle of the unemployed in the grips of liquid modernity, as defined by Zygmunt Bauman. In his joyous naturalism, which sidesteps the stock images of unemployment from the cinema of the past century, Guiraudie refuses to associate deindustrialization and misery, poetically mixing the dignity of the dispossessed and an affirmation of homosexual and working class desires. In so doing, Ce vieux rêve qui bouge questions the love/work relationship and extends the “artistic critique” of capitalism
Aesthetics · Art · Art history · Capitalism · Dignity · Literature · Modernity · Movie theater · Naturalism · Political science · Sociology · French Historical and Cultural Studies · Philosophy
| Highly cited | No |
|---|