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Entre eschatologie et apocalypse

Le Discours de la fin dans l’œuvre de Sylvain Trudel

Bibliographic Data

ID12879121
AuthorsJean-Pierre Thomas (York University, corresponding author)
Year2020
Volume24
Issue2
Pages237-244
Publication date2020-03-14
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueContemporary French and Francophone Studies (JOURNAL)
Journal identifiersISSN: 1740-9292 • E-ISSN: 1740-9306
PublisherRoutledge (PUBLISHER • GB)
DOI10.1080/17409292.2020.1774218
OpenAlexW3047410998
LanguageEN
References cited1

In the French Canadian author Sylvain Trudel’s works, mysterious powers are devising ways to destruct the world. Some characters nevertheless resist the idea of an anticipated disaster: they protect themselves from the eschatological threat, and it seems at some point possible to avoid the end. Does it mean that the eschatology is here only a partial apocalypse and that the dreaded death might be an illusory finitude? Can’t Western civilizations, obviously still steeped in Judeo-Christian dualism, get rid of a reality where death is considered a simple void that escapes any understanding, thus forcing the eschatological imagination to build upon it? Mythocritics is used here to determine how the eschatological subtext permeates today’s literature to the extent where the founding mythic stories might be obscured, and to examine how the concept of ending underlies the characters’ adventures. Do death’s representations give one a chance to hope that humanity can survive the coming catastrophe

Art · Humanities · Diverse multidisciplinary academic research · Philosophy

  • Writing the Apocalypse

    Doris Meyer, Lois Parkinson Zamora•Hispanic Review•1991

Citation velocityhistorical
Highly citedNo

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