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Le Terroir, l'Histoire, et la Vierge Noire

Ce qui ne passe pas (encore) dans Soumission de Michel Houellebecq

Bibliographic Data

ID12879641
AuthorsJean‐Philippe Mathy (corresponding author)
Year2017
Volume21
Issue3
Pages257-265
Publication date2017-05-27
Open AccessNo
TypeARTICLE
VenueContemporary French and Francophone Studies (JOURNAL)
Journal identifiersISSN: 1740-9292 • E-ISSN: 1740-9306
PublisherRoutledge (PUBLISHER • GB)
DOI10.1080/17409292.2017.1396754
OpenAlexW2779643469
LanguageFR
References cited1

In Michel Houellebecq's controversial novel Soumission, France becomes an Islamic Republic. The narrator, François, a literature professor who lives in Paris, seeks refuge in southwestern France to escape from the civil war following the victory of the Muslim Brotherhood's candidate in the Presidential elections. François acknowledges in the beginning of the novel his lack of interest in either history or politics, but ends up in a medieval village named after the Frankish prince who stopped the advance of the Muslim armies from Spain in 732 C.E.There, François meets by chance one of his colleagues from the University of Paris, similarly exiled in provincial France, who cooks a delicious regional meal, from lamb shank to duck confit, for him. The narrator then goes to Rocamadour, one of the architectural jewels of medieval Christendom, and falls under the spell of a statue of the Black Madonna. His attraction to medieval Christianity and Périgord's haute cuisine is not enough, however, to convince him that France can be saved from the decadence induced by modernity. Having returned to Paris, François considers converting to Islam in order to resume his teaching position at the Sorbonne and be given three wives by the Muslim authorities

Archaeology · Art · Art history · Decadence · Humanities · Islam · Literature · Modernity · Political science · Rite of passage · Spanish Civil War · Statue · Theology · French Literature and Critical Theory · History · Law · Philosophy

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Highly citedNo

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