Marie Étienne, les couloirs de la langue
Bibliographic Data
| ID | 12879698 |
|---|---|
| Authors | Marie Joqueviel-Bourjea (corresponding author) |
| Year | 2011 |
| Volume | 15 |
| Issue | 5 |
| Pages | 593-605 |
| Publication date | 2011-12-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Contemporary French and Francophone Studies (JOURNAL) |
| Journal identifiers | ISSN: 1740-9292 • E-ISSN: 1740-9306 |
| Publisher | Routledge (PUBLISHER • GB) |
| DOI | 10.1080/17409292.2011.624021 |
| OpenAlex | W1984890694 |
| Language | FR |
“I am a nobody displaced in a country at war.” “I was getting used to being elsewhere, the unnamed.” So it reads in Marie Étienne's book of poetry Roi des cents Cavaliers (2002). A subject defines himself in and through the absence of any bearings: geographic, historic, or linguistic. The original displacement paradoxically constitutes him within the split—as geographic as linguistic—that he operates in himself: the “person” so defined is precisely somebody only because he is nobody on a purely un-speakable land... Henceforth, Marie Étienne's writing turns out to be a pur-suit of these original “unnamed” and “elsewhere,” that yet she never tries to reduce to the understandable absolute of a territory that frontiers and definite words would mark. Here I offer an examination of three privileged “territories” that deeply in-form Marie Étienne's poetry: the frontier, the canal, and the corridor. This will lead me to find a progression within the work: from the fontier to the corridor, via the canal. Thus, from the split to the distribution via the irrigation. The task would be this one: to replace the frontier by the corridor, the cut by the connection, and the asyndeton by the “like.” The utopia would be to make a corridor of the frontier, to make the edges of the wound meet—without ever going up to mixing them up: it is question of maintaining the difference. That is, to inhabit the prose as a poet. Keywords: Territories Language Exile Frontier Canal Color Topographic art Notes 1. On se reportera, par exemple, à « La disjonction », dans Poésie & Philosophie, pages 275–284. 2. Ainsi du rapport entre « soi » et « quelque part » : « L’absence ne vaut rien, quand on est de retour, qu’il s’agit à nouveau de se poser la main dessus, c’est vraiment difficile, mais on essaie quand même, on revient en arrière et on récapitule, voyons, voyons, je me trouvais à tel endroit à tel moment, il faut se rendre à l’évidence, on a dû s’oublier quelque part. Mais où ? Il doit bien exister un tas de linges dans un coin et ce linge c’est soi » (Les Passants intérieurs 27). 3. Les citations de tout le paragraphe sont prélevées dans ces pages
Archaeology · Art · Art history · Frontier · Literature · nobody · Poetry · Reflexive pronoun · Subject (documents · Utopia · Computer Science · Historical Linguistics and Language Studies · History · Linguistic and Sociocultural Studies · Linguistics and Discourse Analysis · Philosophy
| Citation velocity | historical |
|---|---|
| Highly cited | No |