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Shakespeare and Narrative

Bibliographic Data

ID12879754
AuthorsRichard Meek (De Montfort University, corresponding author)
Year2009
Volume6
Issue2
Pages482-498
Publication date2009-03-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueLiterature Compass (JOURNAL)
Journal identifiersISSN: 1741-4113 • E-ISSN: 1741-4113
PublisherWiley (PUBLISHER • GB)
DOI10.1111/j.1741-4113.2008.00621.x
OpenAlexW2089987477
LanguageEN
Citations received1
References cited22

This article explores recent critical work on Shakespeare and narrative. This is a particularly apt time for a reconsideration of this topic, not least because of current debates in Shakespeare studies regarding his status as a ‘literary’ dramatist, and a resurgence of critical interest in rhetorical and aesthetic concerns. The article argues that one can discern an ‘anti‐narrative prejudice’ among several twentieth‐century critics, particularly those who argue that Shakespeare's plays are more fully realised on the stage than on the page. Since the 1990s, however, critics have been more positive about Shakespeare's handling of narrative, and in recent years several commentators have noted his interest in ekphrasis – a term that refers to the verbal representation of visual representation, and, more broadly, to vivid narrative description that has the capacity to make us see. Far from being a kind of necessary evil, the narrative passages in Shakespeare's plays are part of a wider interest in rhetoric and the arts of language, and the ability of words to describe, depict and create pictorial effects

Aesthetics · Art · Linguistics · Literature · Narrative · Political science · Politics · Representation (politics · Rhetoric · Rhetorical question · Historical Art and Culture Studies · History · Language, Metaphor, and Cognition · Law · Philosophy · Psychology · Visual Culture and Art Theory

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    Lorna Hutson•The Invention of Suspicion•2007

  • The Cambridge Companion to Shakespeare's Poetry

    Open Access•Patrick Cheney•The Cambridge Companion to…•2007

  • Literary Theory

    Jonathan Culler, Jonathan D Culler•Literary theory•2011

  • The Aesthetics of Mimesis

    Open Access•Stephen Halliwell•Aesthetics of Mimesis•2009

  • Hamlet hears Marlowe; Shakespeare reads Virgil

    James Black•Renaissance and Reformation•2009

  • Making Pictures Speak

    Open Access•Leonard Barkan•Renaissance Quarterly•1995

  • Mimesis

    Matthew Potolsky•Mimesis•2006

  • Renaissance self-fashioning

    Stephen Greenblatt•Renaissance self-fashioning•2005

Unique citing works1
Citations per year0,09
Citation span2015 - 2015 (1)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 1

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