Women's Patronage‐Seeking as Familial Enterprise
Aemilia Lanyer, Esther Inglis, and Mary Wroth 1
Bibliographic Data
| ID | 12879824 |
|---|---|
| Authors | Theresa D Kemp (University of Wisconsin–Eau Claire, corresponding author) |
| Year | 2007 |
| Volume | 4 |
| Issue | 2 |
| Pages | 384-406 |
| Publication date | 2007-01-23 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Literature Compass (JOURNAL) |
| Journal identifiers | ISSN: 1741-4113 • E-ISSN: 1741-4113 |
| Publisher | Wiley (PUBLISHER • GB) |
| DOI | 10.1111/j.1741-4113.2007.00415.x |
| OpenAlex | W1993019455 |
| Language | EN |
| References cited | 15 |
Taking Aemilia Lanyer, Esther Inglis, and Mary Wroth as its primary examples, this article looks at how early modern women writers in Britain used the literary patronage system to promote not only personal ambitions but familial ones as well
Art · Literature · Cultural History and Identity Formation · Historical Economic and Social Studies · Literature: history, themes, analysis · Psychology
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| Highly cited | No |
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