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Rewriting Paterian Sympathy

Vernon Lee and Elitist Empathy

Bibliographic Data

ID12879983
AuthorsSarah Townley (University of Nottingham, corresponding author)
Year2012
Volume9
Issue11
Pages861-872
Publication date2012-11-01
Open AccessYes
TypeARTICLE
VenueLiterature Compass (JOURNAL)
Journal identifiersISSN: 1741-4113 • E-ISSN: 1741-4113
PublisherWiley (PUBLISHER • GB)
DOI10.1111/j.1741-4113.2012.00907.x
OpenAlexW1528468962
LanguageEN
Citations received1
References cited11

Renewed critical interest in the author and critic, Vernon Lee (pseud. Violet Paget, 1856–1935) has tended to focus on the way she rewrites the aesthetic and moral values of literary art in terms which account for a broad readership. This essay challenges the view that Lee’s aesthetic theory accommodates a non‐specialist reader by reassessing her commitment to the concept of aesthetic empathy. It does so by arguing that Lee’s aesthetic empathy is a modified version of Walter Pater’s notion of aesthetic sympathy, which demands a specialist practitioner. Lee sought to articulate the terms of her aesthetic theory in a way which emphasized a sharper social conscience than that which we find in the works of Pater, but this does not mean that she ‘redirected her view toward the audience.’ Like Pater, for whom the literary artist must write specifically for ‘the scholar and the scholarly conscience,’‘those men of a finer thread,’ Lee demonstrates a concern for a reader with a specialist set of skills and proficiencies. Whilst Lee’s notion of aesthetic empathy originates from the German school of psychological aesthetics, her modification of Pater is apparent in the way both writers draw on contemporary British Associationist psychology. The fact that Pater and Lee share in the same kind of Associationist terminology is evidence of the similarity of their notions of sympathy and empathy. Overall, this essay shows how the concept of aesthetic empathy particularly appealed to Lee due to the way it accounted for the individuality of the perceiver with its emphasis on a muscular and sensuous responsiveness, but eliminated the selfish element of an individualism that threatened to remove the Paterian individual from public life

Aesthetics · Art · Conscience · Consciousness · Empathy · Epistemology · Literature · Sensibility · Sociology · Sympathy · Artistic and Creative Research · Literature: history, themes, analysis · Modernist Literature and Criticism · Philosophy · Psychology · Social Psychology

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    Jeffrey C Kessler•Nineteenth Century Contexts•2016

  • The principles of psychology.

    Herbert Spencer-González, Herbert Spencer et al.•1855

  • Empathy and the Novel

    Suzanne Keen•Empathy and the novel•2007

  • The Creative Evolution of Scientific Paradigms

    Shafquat Towheed•Victorian Studies•2006

  • Vernon Lee

    Kristin Mahoney•Victorian Studies•2007

  • Vernon Lee, Association and ‘Impressionist’ Criticism

    Ian Small, I C Small•The British Journal of Aesthetics•1977

  • Theodor Lipps and the shift from ?sympathy? to ?empathy

    Open Access•Gustav Jahoda•Journal of the History of the…•2005

Citations per year0.1
Citation span2016 - 2016 (1)
Highly citedNo

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