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Jacobean and Caroline Masquing Culture

Studies on Early Stuart Entertainments, 1998–2010

Bibliographic Data

ID12880145
AuthorsPETER SILLITOE (University College Cork, corresponding author)
Year2011
Volume8
Issue4
Pages173-183
Publication date2011-04-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueLiterature Compass (JOURNAL)
Journal identifiersISSN: 1741-4113 • E-ISSN: 1741-4113
PublisherWiley (PUBLISHER • GB)
DOI10.1111/j.1741-4113.2011.00791.x
OpenAlexW1548122386
LanguageEN
References cited12

This article overviews literary criticism on the English court masque during the early Stuart period. More specifically, this survey piece analyses a selection of major critical studies that focus attention on to the court masques of James I and Charles I, circa 1603–1641. The article begins in 1998 – the year that witnessed the last major collection of essays on the genre – and then progresses to the present year by way of various journal articles, chapters and monographs

Aesthetics · Art · Criticism · Focus (optics · Literature · Period (music · Selection (genetic algorithm · Computer Science · Historical Art and Culture Studies · History · Psychology · Scottish History and National Identity

  • Black Skin, The Queen's Masques

    Open Access•Bernadette Andrea•English Literary Renaissance•1999

  • Patronage, Culture and Power

    Sara Nair James•Sixteenth Century Journal•2004

  • Women on Stage in Stuart Drama

    Sophie Tomlinson, Laura Schechter•Renaissance and Reformation•2005

Citation velocityhistorical
Highly citedNo

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