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The Politics of Privacy and the Renaissance Public Stage

Datos Bibliográficos

ID12880345
AutoresEoin Price (0000-0001-9546-9183, Swansea University, autor de correspondencia)
Año2015
Volumen12
Número7
Páginas311-321
Fecha de publicación2015-07-01
Peer ReviewedSí
Open AccessSí
TipoARTICLE
RevistaLiterature Compass (JOURNAL)
Identificadores de la revistaISSN: 1741-4113 • E-ISSN: 1741-4113
EditorialWiley (PUBLISHER • GB)
DOI10.1111/lic3.12243
OpenAlexW1549927566
IdiomaEN
Referencias citadas38

This article examines the politics of privacy and the public drama of the English Renaissance commercial stage. It surveys some recent critical approaches towards the study of privacy and politics including analyses of a supposed early modern public sphere. The article then attends to studies focusing on Renaissance drama and urges that the study of political privacy be extended beyond domesticity. The essay contends that a wider examination of the corpus of public drama in the English Renaissance is necessary. Shakespeare's plays often take centre stage in critical discussions, but complex concepts like privacy and publicity ought to be explored in reference to the diverse range of plays written for the Renaissance theatres. To illustrate the benefits of exploring the wider Renaissance corpus, the article ends by discussing politics and privacy in the neglected tragedy Soliman and Perseda

Art · Art history · Drama · Literature · Media studies · Political science · Politics · Public sphere · Publicity · Sociology · The Renaissance · Tragedy (event · Law · Medieval Literature and History · Reformation and Early Modern Christianity · Renaissance and Early Modern Studies

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