Skip to main content

ETHNOS_APP

Home • Search • Journals • List 0

Mary Shelley's Bestiary

The Last Man and the Discourse of Species

Bibliographic Data

ID12880378
AuthorsCynthia Schoolar Williams (Tufts University, corresponding author)
Year2006
Volume3
Issue2
Pages138-148
Publication date2006-02-17
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueLiterature Compass (JOURNAL)
Journal identifiersISSN: 1741-4113 • E-ISSN: 1741-4113
PublisherWiley (PUBLISHER • GB)
DOI10.1111/j.1741-4113.2006.00306.x
OpenAlexW2068352545
LanguageEN
Citations received1
References cited8

This essay won the 2005 Literature Compass Graduate Essay Prize, Romanticism Section. Mary Shelley's 1826 novel The Last Man richly rewards inquiry through the discourse of species, for it poses the question, “Is the human that which is not the animal?” By subjecting an entire species to the plague, Shelley reveals the extent to which human being is defined over and against the irreducible animal other. In so doing, her text exposes the predation that lies at the root of Western humanism. Considering how Shelley tests the limits of the human, this essay pursues such issues as her handling of the plague itself (for contrary to historical record, the illness in this novel preys only on people) and her critique of the civilizing process that the eponymous narrator undergoes (a process that seems to require the killing of animals and the killing of people as if they are animals). In addition, it traces the decentering of man as the raison d’être of nature and the taxonomic crisis that ensues when Lionel Verney is indeed the sole remnant of humankind. In the twenty‐first century, when the uncontrollable holds the foreground of our own imaginations, Shelley's deployment of the plague – that literalization of all that is incommensurable – speaks to us with renewed force, and the discourse of species offers a particularly useful lens through which to view Shelley's destabilizing of foundational binaries. Drawing on the work of Cary Wolfe, Maureen McLane, Jacques Derrida, and others, this paper argues that Shelley's work offers a radical interrogation of subjectivity itself. Examining the relationship between human and non‐human animals in The Last Man reveals that the novel is more than a critique of imperialism or Romanticism; rather, it is a profound inquiry into the insufficiency of categories, the ephemeral nature of form, and the sacrificial economy that subtends our culture

Art · Bestiary · Humanism · Literature · Plague (disease · Psychoanalysis · Romanticism · Ecocriticism and Environmental Literature · Geographies of human-animal interactions · History · Philosophy · Psychology · Science Education and Perceptions

  • Romantic Disease Discourse

    Fuson Wang•Nineteenth Century Contexts•2011

  • Fear in Early Modern Society

    William Monter, William G Naphy et al.•The American Historical Review•1999

  • Romanticism and Colonial Disease

    John H Jones, Alan Bewell•South Atlantic Review•2000

  • Mary Wollstonecraft Shelley

    Betty T Bennett, Betty Bennett•Mary Wollstonecraft Shelley•1998

  • Animal Rites

    Cary Wolfe, W J T Mitchell et al.•Animal Rites•2003

Unique citing works1
Citations per year0,07
Citation span2011 - 2011 (1)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 1

Tools

Open DOISci-Hub
Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae