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Shakespeare and Early Modern Visual Culture

Dados Bibliográficos

ID12880705
AutoresChloe Porter (Nottingham Trent University, autor correspondente)
Ano2011
Volume8
Fascículo8
Páginas543-553
Data de publicação2011-08-01
Peer ReviewedSim
Open AccessSim
TipoARTICLE
PeriódicoLiterature Compass (JOURNAL)
Identificadores do periódicoISSN: 1741-4113 • E-ISSN: 1741-4113
EditoraWiley (PUBLISHER • GB)
DOI10.1111/j.1741-4113.2011.00813.x
OpenAlexW1949661224
IdiomaEN
Referências citadas18

This essay presents an overview of recent work in the area of studies of Shakespeare and visual culture. Aiming to give an indication of the diverse range of approaches that may be adopted in this highly interdisciplinary field, the essay focuses particularly on a recent trend for the analysis of Shakespeare’s engagements with visuality from strongly literary perspectives. This trend has produced some valuable work, with significant implications for our understanding of Shakespeare’s status as a ‘literary’ figure. An emphasis on literariness in Shakespeare’s interactions with visual culture is linked partly to concerns about the status of visual culture in post‐Reformation England. Recent developments in art history and visual studies challenge some of the assumptions about post‐Reformation English visual culture that inform current works on Shakespeare and visual culture. By looking closely at relevant new art‐historical thinking, literary critics may significantly broaden the framework for the exploration of Shakespeare’s works as a part of early modern visual culture

Aesthetics · Art · Literariness · Literary criticism · Literature · Visual arts · Visual culture · Historical Art and Culture Studies · History · Renaissance and Early Modern Studies · Visual Culture and Art Theory

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Velocidade de citaçãohistorical
Altamente citadoNão
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