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Shakespeare and Material Culture

Bibliographic Data

ID12880776
AuthorsCatherine Richardson (0000-0003-1339-8188, University of Kent, corresponding author)
Year2010
Volume7
Issue6
Pages424-438
Publication date2010-06-01
Open AccessYes
TypeARTICLE
VenueLiterature Compass (JOURNAL)
Journal identifiersISSN: 1741-4113 • E-ISSN: 1741-4113
PublisherWiley (PUBLISHER • GB)
DOI10.1111/j.1741-4113.2010.00700.x
OpenAlexW4298031709
LanguageEN
Citations received1
References cited22

This article outlines the various ways in which recent criticism has related Shakespeare’s plays to early modern material culture, and suggests directions for future scholarship in this area. It explores writing about material culture and the construction of identity, about the materiality of the production and consumption practices of which the early modern theatre was a part, and about the use of stage properties in Shakespeare’s plays. In doing so, it argues that the study of material culture has been responsible for two major changes in our received wisdom about the early modern stage – it has enabled us to challenge and problematise our notions of both the ‘all‐male’ and the ‘bare’ stage, devoid of props. It suggests that greater scholarly attention to the forms of material culture – to early modern objects and the processes with which they were associated – will offer us fruitful new avenues into the way Shakespeare’s plays work upon their audiences

Aesthetics · Art · Criticism · Early Modern literature · Identity (music · Literature · Materiality (auditing · Scholarship · Sociology · Historical Art and Culture Studies · Law · Literature: history, themes, analysis · Visual Culture and Art Theory

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    William H Sherman, William B Robison•Renaissance and Reformation•1997

  • Dressing Renaissance Florence

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    Open Access•David Gaimster, Maria Hayward et al.•The Antiquaries Journal•2002

  • Household Property/Stage Property

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Citations per year0.08
Citation span2014 - 2014 (1)
Highly citedNo

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