Shakespeare and Gender
Bibliographic Data
| ID | 12880836 |
|---|---|
| Authors | Penelope Freedman (corresponding author) |
| Year | 2004 |
| Volume | 1 |
| Issue | 1 |
| Pages | **-** |
| Publication date | 2004-01-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Literature Compass (JOURNAL) |
| Journal identifiers | ISSN: 1741-4113 • E-ISSN: 1741-4113 |
| Publisher | Wiley (PUBLISHER • GB) |
| DOI | 10.1111/j.1741-4113.2004.00017.x |
| OpenAlex | W2064975710 |
| Language | EN |
| References cited | 3 |
The impact of feminist critics over the last twenty-five years has shaped the way gender in Shakespeare has been considered. Sketching the approaches feminist criticism has taken, this article goes on to highlight the importance now attached to stage performance and the role of the female actor
Aesthetics · Art · Criticism · Literature · Psychoanalysis · Sociology · Gender Studies · Historical Art and Culture Studies · Irish and British Studies · Psychology · Shakespeare, Adaptation, and Literary Criticism
| Citation velocity | historical |
|---|---|
| Highly cited | No |