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Radio Studies and 20th‐Century Literature

Ethics, Aesthetics, and Remediation

Bibliographic Data

ID12880971
AuthorsIan Whittington (University of Mississippi, corresponding author)
Year2014
Volume11
Issue9
Pages634-648
Publication date2014-09-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueLiterature Compass (JOURNAL)
Journal identifiersISSN: 1741-4113 • E-ISSN: 1741-4113
PublisherWiley (PUBLISHER • GB)
DOI10.1111/lic3.12175
OpenAlexW2103852411
LanguageEN
Citations received4
References cited35

This article provides an overview of the history of radio studies as it intersects with 20th‐century literary studies, and outlines recent research trends in the field. Beginning with the earliest theorists and practitioners of radio (including Hilda Matheson, Rudolf Arnheim, and Lance Sieveking), the article considers how mid‐20th‐century attitudes to radio as a medium of cultural expression varied among Marxist thinkers (Theodor Adorno, Herbert Marcuse, Walter Benjamin, and Bertolt Brecht), sociologists (Paul Lazarsfeld and Hadley Cantril), and media theorists (Marshall McLuhan and Walter Ong). The article then examines how two recent scholarly developments – the expanded conception of modernist culture under the name of the “new modernist studies” and the growth of sound studies as an interdisciplinary field with both aesthetic and historical implications – have, since the mid‐1990s, inaugurated a new wave of literary radio scholarship. These distinct but related developments have fostered newly integrated approaches to the study of radio as a medium that intersects not only with literature but with other media; the article therefore provides a summary of recent works that approach radio through a lens of remediation (the mutual influence and interpenetration of various media), as well as works that consider the aesthetic and ethical potential of the medium. The article closes by noting important avenues still to be explored, including questions of cultural hierarchy and “the middlebrow,” transnational broadcasting, and the cultural life of radio in the age of television and beyond

Aesthetics · Art · Field (mathematics · Literary criticism · Literature · Marxist philosophy · Middlebrow · Political science · Scholarship · Sociology · Anthropology · Cinema and Media Studies · Cultural Studies · History · Law · Literature, Film, and Journalism Analysis · Radio, Podcasts, and Digital Media

  • In the Air

    Lisa Hollenbach•Oxford Handbook of Radio and…•2024

  • Introduction

    Aasiya Lodhi, Amanda Wrigley•Media History•2018

  • Radio’s Vernacular Modernism

    Kate Lacey•Media History•2018

  • The Ambiguity of Subversion

    Open Access•Gisli Vogler•THEORIA An International Journal…•2020

  • Always Already New

    Lisa Gitelman•Always Already New•2006

  • Broadcasting Empire

    Simon J Potter•Broadcasting Empire•2012

  • The Essential Frankfurt School Reader

    Andrew Arato, Eike Gebhardt et al.•The Essential Frankfurt School…•1978

  • Theater of the Mind

    Neil Verma•Theater of the Mind•2012

  • Modernism, Media, and Propaganda

    Mark Wollaeger•Modernism, Media, and Propaganda•2008

  • Soundscape of Modernity

    Emily Thompson•Canadian Journal of Communication•2003

  • Beware the British Serpent

    Robert Calder, Robert L Calder•Beware the British Serpent•2004

  • The History of Broadcasting in the United Kingdom

    Ronald Lewin•International Affairs•1979

  • Radio Drama

    Open Access•Ian Rodger, Ian W Rodger•Radio Drama•1982

  • West Indian Intellectuals in Britain

    Bill Schwarz•West Indian intellectuals in…•2003

  • Frantz Fanon's Radio

    Ian Baucom•Contemporary Literature•2001

Unique citing works4
Citations per year0,5
Citation span2018 - 2024 (7)
Citation velocityrecent
Highly citedNo
Citation typesNeutral: 4

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