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Who Designed the Westphalian System? Probing the Epistemology of the Westphalian Debates

“Moses was but a juggler and King James the new Solomon”

Bibliographic Data

ID12885406
AuthorsChristopher Harding (Aberystwyth University, corresponding author), Nicola Harding (National Archives)
Year2006
Volume2
Issue3
Pages399-419
Publication date2006-10-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueLaw Culture and the Humanities (JOURNAL)
Journal identifiersISSN: 1743-8721 • E-ISSN: 1743-9752
PublisherSAGE Publishing (PUBLISHER • US)
DOI10.1177/1743872106069824
OpenAlexW1986239731
LanguageEN

In the history of international law and relations, ‘Westphalian system’ is commonly used as shorthand to describe the ‘modern’ paradigm of international relations based on a system of exclusive authority vested in sovereign State actors, and evidenced in the Peace of Westphalia in 1648. The discussion here probes the way in which such ideas about governance took root and consolidated into a consensus among political leaders across seventeenth century Europe. What were the means of intellectual exchange and political discourse which facilitated the Westphalian sea-change? This study considers some media which may have been exploited in a significant way in early modern European society for the dissemination of argument and ideas about governance. Two major forms are of particular interest in this context: visual art, with its rich iconographical content; and various kinds of dramatic presentation capable of communicating with both elite and popular audiences

Argument (complex analysis · Context (archaeology · Corporate governance · Economics · Elite · International law · International relations · Political science · Politics · Sociology · Sovereignty · State (computer science · Westphalian sovereignty · Historical Influence and Diplomacy · History · Law

Citation velocityhistorical
Highly citedNo

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