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The Allure of Synthesis

Science and the Literary in Comparative and World Literature

Bibliographic Data

ID12888396
AuthorsAlessio Mattana (0000-0001-7416-2844, corresponding author)
Year2020
Volume17
Issue3
Pages351-372
Publication date2020-10-01
Open AccessYes
TypeARTICLE
VenueComparative Critical Studies (JOURNAL)
Journal identifiersISSN: 1744-1854 • E-ISSN: 1750-0109
PublisherEdinburgh University Press (PUBLISHER • GB)
DOI10.3366/ccs.2020.0369
OpenAlexW3092938187
LanguageEN
References cited4

This article offers a reconstruction of the scientific lineage of comparative and world literature. It will be argued that the approaches by Philarète Chasles and Johann Wolfgang von Goethe were influenced by the meaning of ‘comparative’ developed in scientific texts in the long eighteenth century. Building on the assumption that literature may be made into a hard science, a number of nineteenth-century comparatists then sought to elaborate syntheses of literature in the form of universal laws that would hold to all literary texts. I argue that this ‘scientifying’ approach to literature is still at work to this day, and I conclude my intervention by pointing to the epistemological issues that must be considered when the literary is treated scientifically

Art · Comparative literature · Epistemology · Linguistics · Literary criticism · Literary science · Literature · Meaning (existential · Scientific literature · Sociology · World literature · Classical Studies and Philology · History · Philosophy

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