Navigating Nation, Signifying Sikhism
The Work of Arpana Caur
Bibliographic Data
| ID | 12891248 |
|---|---|
| Authors | Manav Ratti (0000-0003-2641-1679, Salisbury University, corresponding author) |
| Year | 2013 |
| Volume | 9 |
| Issue | 3 |
| Pages | 381-407 |
| Publication date | 2013-12-01 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Sikh Formations (JOURNAL) |
| Journal identifiers | ISSN: 1744-8727 • E-ISSN: 1744-8735 |
| Publisher | Taylor & Francis (PUBLISHER • GB) |
| DOI | 10.1080/17448727.2013.859476 |
| OpenAlex | W2034425546 |
| Language | EN |
This article situates the artwork of Arpana Caur within national and global contexts through such topics as the nature of the aesthetic process for Caur, the relations among affect, activism, and politics in her life and work, and the ways in which Indian art can be supported and made more visible on the Indian and global scales. The article presents The article presents the artist's views – the longest and most in-depth she has given to date – on topics central to her work, including Sikhism, Buddhism, Kabir, feminism, human rights, environmentalism, and the nature of time. This piece explores in particular how art can represent the timelessness of spirituality alongside the exigencies of contemporary issues and tragedies, such as communal violence. Central throughout this article is the concept of nation, exploring how an artist can represent nation both aesthetically and politically, and the ways in which nation can be both attractive and challenging
Aesthetics · Art · Buddhism · Environmentalism · Feminism · Political science · Politics · Sikhism · Sociology · Spirituality · Gender Studies · History · Indian History and Philosophy · Law · South Asian Studies and Conflicts · South Asian Studies and Diaspora
| Highly cited | No |
|---|