Quartet
Four stories of early cinema research
Bibliographic Data
| ID | 12895723 |
|---|---|
| Authors | Deac Rossell (0000-0001-7483-1681, Goldsmiths University of London, corresponding author) |
| Year | 2016 |
| Volume | 14 |
| Issue | 4 |
| Pages | 403-419 |
| Publication date | 2016-09-06 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Early Popular Visual Culture (JOURNAL) |
| Journal identifiers | ISSN: 1746-0654 • E-ISSN: 1746-0662 |
| Publisher | Taylor & Francis (PUBLISHER • GB) |
| DOI | 10.1080/17460654.2016.1222931 |
| OpenAlex | W2520506686 |
| Language | EN |
| Citations received | 1 |
| References cited | 2 |
In four varying examples, this article suggests the rewards of working across national and linguistic borders in early cinema research. With a broad international perspective, new links can be established between nominally isolated and well-established figures, or new light can be shed on surviving artefacts. The specific examples given here are a reminder that the inherited master narrative of the invention of moving pictures is incomplete and unbalanced
Art · Linguistics · Literature · Media studies · Movie theater · Narrative · Perspective (graphical · Sociology · Visual arts · Cinema and Media Studies · History · Italian Fascism and Post-war Society · Philosophy
| Citations per year | 0.17 |
|---|---|
| Citation span | 2020 - 2020 (1) |
| Highly cited | No |